"Mr. Wang sits at the pinnacle of the Chinese documentary groundswell."
—Nicolas Rapold, The New York Times

"The most intrepid chronicler of post-Mao China."
—James Quandt, The New York Review of Books

"In chronicling individual, present-day lives, Wang gives a sense of his country's recent history. Political critiques are instead largely left implicit, and made through Wang's act of allying himself with people that have been pushed onto his culture's fringes. The films suggest that China's transition from Maoism to an assimilation of capitalism has not only failed to improve, but actually worsened the lives of many of its citizens, who survive in spite of it. The people that Wang records are ones who move him, as evidenced by his willingness to let them guide the films."
—Aaron Cutler, Cineaste

"In the films of Chinese documentarian Wang Bing, time expands to such leviathan extremes they make you feel as though you've been forced into a staring contest with reality. Even at their most static, his images vibrate with a corrosive, pent-up energy, intensified by the sense that much of the marginal, rural, and post-industrial life they capture is in the process of vanishing." —Andrew Chan, Film Comment

Wang Bing has been a leading documentary filmmaker of the burgeoning independent documentary scene in China for the past decade. Acclaimed by critics and recognized as one of the most important Chinese artists and filmmakers of his time, his work has garnered awards and international praise at major film festivals.

Born in Shaanxi, a province in central China in 1967, Wang first studied photography at the Lu Xun Academy of Fine Art before studying cinematography at Beijing Film Academy. He began his career as an independent filmmaker in 1999. Released in 2003, his directorial debut WEST OF TRACKS is a monumental documentary work, exceeding 9 hours in length, that was a great success internationally. Filmed in the northern Chinese district of Tiexi, WEST OF TRACKS is a strikingly profound contemplation on the lives of workers in the decaying industrial district. Since 2003, he has made 10 documentaries, many of which have been released in theaters, with THREE SISTERS receiving more than 45,000 viewers in France.

Retrospectives of his oeuvre have been presented at institutions including the Centre Pompidou in Paris and the Cinémathèque Royale de Belgique.

In addition to documentaries, Wang has also created fiction films (BRUTALITY FACTORY, THE DITCH), and installations (including CRUDE OIL, BEAUTY LIVES IN FREEDOM), and photographic series.