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Decasia and Light Is Calling are included on one Blu-Ray disc. In Light Is Calling, a deteriorating scene from James Young's The Bells (1926) was optically reprinted and edited to Michael Gordon's seven-minute composition. The aesthetic of Morrison's film is inexorably intertwined with many of Michael Gordon's pieces. We watch a decomposing film reel of a soldier who meets a mysterious woman in the woods. A meditation on the random and fleeting nature of life and love, as seen through the roiling emulsion of an ancient film. Morrison's short was made through the process of reshooting decomposing black and white film, and the result is a dreamy, melting, light-drenched scene. —The Viennale

"Light is Calling [is one of Morrison's] more accessible works, an incomparably beautiful and sad film experiment. …A militiaman riding; a woman waiting; a meeting; a departure. Simple though it is, this story is enough to give Morrison's work a backbone. As images emerge through the painterly swirls of emulsion, the viewer is invited-nay, required-to reflect on the ephemeral quality of the film and, by extension, its characters. For those with limited patience for non-narrative "artsy" films, Light is Calling is just the right length. Only in the final thirty seconds or so does Gordon's haunting avant-garde score cross the line into dissonance, breaking the delicate connection it held with Morrison's images. Still, this breathtaking film manages to capture your emotions as well as your eyes." —Christopher Zinsli, Film Threat

"Ecstatic! In which bodies and movements dissolve in swirling waves of golden light, the film's decay radiating as a glorious self-immolation."—Maximilian Le Cain, Senses of Cinema

"Heart-stoppingly beautiful."—Zoetica Ebb, Coilhouse Magazine